The salient points are all pretty obvious. The male must be naked, except for
his collar, and possibly his chastity tube. Oh, well, he might have a little ribbon in his hair. And he may be on the leash, or trained to walk “at heel.”
I have assembled some favorite examples of FemDom Art to illustrate how this
strand of FemDom fantasy plays out in male minds.
Here, for instance is Sardax’s wonderful evocation of the satisfaction for a
Dominant Female of walking her dog-men. Sardax is so good at this kind of thing, he conveys so well the attitude of nonchalant, accepted Dominance. The young lady, wrapped in her fetishistically tight leather (or is that satin?) with her parasol on her shoulder, is a study in amusing arrogance. Watching her, perhaps feeling a little wistful, the girl in the retro-dress and hat, conveys more attitude. In this fantasy world of Sardax, gorgeous young women in skin tight clothing are expected to take their slave males out for a walk. And, of course, the young lady watching the dog-men go by is wearing leather boots with high heels that are about to be licked clean by the male bootlicking service provided for passing ladies to use. The whole scheme here is packed with sexual triggers for the submissive male fantasist, even down to the back of another lady’s high heeled shoe disappearing into the doorway beyond the young
Sardax is definitely fond of this particular FemDom dream.
Here’s another example, taken from a poster for the wonderful Pedestal Club in London. Here we have one of his fuller figured Dominants, clad in a style reminscent of the 1930s, right down to the little hat. With her prominent breasts thrust forward, her
sashaying gait, her high heels and her easy handed management of the male that scurries along beside her on his hands and knees, this dream lady epitomises a
variety of Domme that many men desire to worship. Her cigarette, her whip, her full figure are all sensuous aspects of this dream. And again, Sardax has another female, a younger woman, wrapped in a tight, tight skirt, watching the lady parade her slave right up to the front door of the FemDom Club. What passes through the younger woman’s mind? Does she think about getting a slave male like that herself? Or does she already have one? Perhaps he’s late and she’s imagining his punishment, later inside the club?
But Sardax is not the only artist to have explored this window into the dream of
Female Sexual Dominance.
Here’s a famous example from Eric Stanton’s work. This piece is from the early sixties, I think, and his Dominant Female here is quite human, even if her breasts are on the extraordinary side of things.
With Stanton we’ve left the cool, super-stylish world of Sardax’s FemDommes behind.
Stanton’s Dommes are glamorous to the eye, but tend to be tough bitches when they open their mouths. The slave has been reduced to this incredibly foolish state, scampering along the floor behind this Dominating Bitch, with his swollen ass lit up with dozens of whip marks. He’s being trained to walk close at heel, perhaps for some kind of exhibition. Possibly there’s a hidden world of beautiful, fantasy women, who compete for weird ass honors by training male slaves to perform like dogs? With Stanton’s bizarre imagination, anything was possible.
Waldo’s text reads “I’m offering you this Yorkshire” presumably the bemused looking lad, crawling along behind the young lady’s legs here. “And if you groan again, I’m buying a muzzle.”
Who the muzzle is for is not quite clear, Any French readers of this blog are invited to enlighten us as to the exact meaning here.
However, as he does so often and so well, Waldo conveys all the prime erotic aspects of the fantasy, from the whip in Her hand, her slightly parted dress, unbuttoned enough to offer a glimpse of pink panty, her authoritative grip on her “Yorkshire’s” leash, and once again, the relaxed attitude of complete and absolutely accepted dominance. This is an everyday scene, in a fantasy France, where lovely young ladies with long legs, walk their recently enslaved males, who may still even have wristwatches, in public.
That wristwatch, by the way, is one of those things that have long since been stripped away from the slave males in Sardax’s dog-walking scenes. Those men have been
reduced to something less than human. Waldo’s Yorkshire is a recent convert to
dogginess. The little pink bow in his hair is perhaps a sign of where he’s going, and who can say how long he’ll retain the watch, as his life as a dog progresses?